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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis pen and ink sketch shows a group of energetic, chubby infants in various dynamic poses across a horizontal composition. On the right, one putto sits elevated inside a tub or behind a desk acting as a magistrate, while on the left, several others appear to be restraining or processing a 'prisoner' toward the center. The drawing uses fluid contours and light hatching to define the sculptural volume and movement of the figures.
The motif of the putto, or spiritello, was central to Renaissance Neoplatonism, representing the 'vital spirits' (spiritus) that mediated between the physical body and the soul. This scene of children's games (giuochi di fanciulli) reflects humanist interests in the 'infantia'—a state of innocence where the soul instinctively rehearses the complex social and moral structures of adulthood, such as justice.
Raphaele R
Marsilio Ficino
In works like 'De vita libri tres', Ficino theorized the 'spiritus' as a subtle substance driving human movement and emotion, which artists visualized as playful spiritelli or putti.
Object
Oil on panel
genre-scene
Digital Source
Wikimedia Commons · Public domain
http://grumpyarthistorian.blogspot.com/2013/05/drawings-at-christ-church-picture.html
1600 × 1109 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.