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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileFour ancient prophetesses are seated in dynamic, interlocking poses, accompanied by winged angels and putti who present them with scrolls and tablets. The figures are illuminated by a divine light as they record or read prophecies concerning the coming of a new age. This work demonstrates a rhythmic harmony between the celestial messengers and the earthly seers, emphasizing the transmission of sacred knowledge.
This painting represents the Renaissance Neoplatonic concept of 'prisca theologia' (ancient theology), which held that God revealed divine truths to the pagans through figures like the Sibyls, just as he did to the Hebrews through prophets. It reflects the intellectual circle of Agostino Chigi and the synthesis of classical antiquity with Christian doctrine promoted by thinkers like Marsilio Ficino.
ΘΕΟΣ ΔΕΙΞΕΙ ΔΙΑ ΤΟΝ ΘΑΝΑΤΟΝ IAM NOVA PRO GE...
Translation
God will reveal. Through death. Now a new progeny [is sent down from high heaven].
Marsilio Ficino
Ficino's writings on the ancient theology (prisca theologia) provided the philosophical justification for placing pagan Sibyls in Christian sacred spaces.
Lactantius, Divine Institutes
This early Christian text is the primary source used by Renaissance artists to identify the individual Sibyls and their specific prophecies.
Virgil, Eclogue IV
The inscription 'Iam Nova Progenies' is a direct quote from Virgil, interpreted by Renaissance scholars as a Sibylline prophecy of Christ's birth.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
www.wga.hu
1268 × 560 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.