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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis composition features two distinct registers: an upper arch showing biblical prophets with scrolls and a lower section where four Sibyls receive divine inspiration. The Sibyls, representing pagan antiquity, are shown in dynamic, twisting poses as they interact with winged angels holding prophetic tablets. The scene illustrates the harmonious transition between the classical oracular tradition and the Christian prophetic lineage.
This work represents the Renaissance concept of 'prisca theologia'—the idea that ancient pagan figures like the Sibyls were precursors to Christian revelation. The inclusion of the Virgilian prophecy 'Jam nova progenies' reflects the Neoplatonic effort to synthesize classical literature with theology, a major theme in the intellectual circle of Raphael and his patron Agostino Chigi.
SVSCITA BIT EVM DEVS PO ST DIEV DIE TER TIA HABACVCH IONA REXI ET METEG VII DAVID DANIEL JAM NOVA PROGENIES IAM NO PRO GEN
Translation
God will raise him up after two days, on the third day (referring to the Resurrection). Habakkuk, Jonah, David, Daniel. A new offspring [is sent down from high heaven].
Virgil, Eclogue IV
The inscription 'Jam nova progenies' is a direct quote from Virgil's fourth Eclogue, which Renaissance humanists interpreted as a pagan prophecy of the birth of Christ.
Marsilio Ficino
Ficino's recovery of the Sibylline Oracles and his theories on ancient theology provided the intellectual foundation for depicting Sibyls alongside biblical prophets.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
www.wga.hu
967 × 1132 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.