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Wikimedia Commons · CC BY 3.0 · Hover to magnify, click for fullscreen
Original fileTwo female prophets sit in dynamic, twisting poses as winged celestial messengers deliver scrolls and tablets from above. The figure on the left looks upward toward an angel holding a scroll with Greek text, while the figure on the right gazes into the distance. Brightly colored drapery and energetic gestures emphasize the intensity of the prophetic vision being received.
This work reflects the Renaissance concept of 'Prisca Theologia', the belief that ancient pagan seers like the Sibyls were recipients of divine truths that prefigured Christian revelation. Such ideas were central to the Neoplatonic synthesis championed by Marsilio Ficino, who sought to harmonize classical wisdom with sacred scripture.
ΝΕΚΡΩΝ ΑΝΑΣΤΑ ΣΙΣ ΕΙΣ ΦΑΟΣ ΗΞΕΙ
Translation
Resurrection of the dead. He will come into the light.
Marsilio Ficino
Ficino's writings on the ancient theology (Prisca Theologia) provided the intellectual framework for depicting Sibyls as legitimate heralds of divine truth alongside Hebrew prophets.
Lactantius, Divine Institutes
The primary source for the identities and prophecies of the ten Sibyls used by Renaissance artists to justify their inclusion in Christian iconography.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.