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Original fileTwo female figures representing ancient prophetesses are shown in dynamic poses, surrounded by celestial messengers. An angel in flight unfurls a scroll with Greek text for the youthful Cumaean Sibyl, while a putto holds a stone tablet inscribed with further prophecies. To the right, an older woman representing the Persian Sibyl looks back toward the light, gesturing with her finger.
Sibyls were central to the Renaissance concept of 'prisca theologia,' the idea that God revealed truths to the pagan world through ancient sages and prophetesses. They were often paired with Old Testament prophets to demonstrate the harmony between classical antiquity and Christian revelation, a theme heavily promoted by Neoplatonists like Marsilio Ficino.
ΝΕΚΡΩΝ ΑΝΑΣΤΑ ΣΙΣ ΕΣΤΙ ΕΙΣ ΦΑΟΣ ΗΞΕΙ
Translation
OF THE DEAD THE RESURRECTION IS INTO LIGHT SHALL THEY COME
Lactantius
Lactantius's 'Divine Institutes' is the primary source for the Christianization of the Sibylline Oracles, which Raphael used to inform the inscriptions and iconographic program.
Marsilio Ficino
Ficino's Neoplatonic philosophy placed the Sibyls in a lineage of ancient wisdom (prisca theologia) alongside Hermes Trismegistus.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.