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Original fileThe drawing depicts a woman in profile, looking downward with a somber, contemplative expression. Fine cross-hatching and delicate lines define the contours of her face and the simple bodice of her dress. The sketch captures a moment of quiet grief, focusing on the graceful tilt of the head and the softness of her features.
This study for the 1507 'Pala Baglioni' (The Deposition) showcases Raphael's transition toward the High Renaissance style, where human emotion is harmonized with idealized beauty. This pursuit of 'perfected' nature reflects Neoplatonic influences common in the intellectual circles of Florence and Rome, where physical grace was seen as a manifestation of spiritual virtue.
Marsilio Ficino
Raphael’s use of ideal beauty to convey spiritual states mirrors Ficino's Neoplatonic theories on the soul's expression through the body.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.