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Original fileThe prophet is shown as a powerful, muscular figure in blue and gold drapery, looking intently to his right. Above him, two winged infants hold a marble plaque with a Greek dedication and support a heavy garland of leaves. The work is a fresco characterized by its monumental scale and the clear influence of Michelangelo's Sistine Chapel ceiling.
This work represents the Renaissance synthesis of Judaeo-Christian prophecy and Classical aesthetics, reflecting the 'Prisca Theologia' (Ancient Theology) championed by Roman humanists like Egidio da Viterbo. The inclusion of Hebrew and Greek scripts alongside Christian iconography underscores the era's belief in a single, ancient wisdom tradition shared across civilizations.
ΑΝΝΗ ΠΑΡΘΕΝΟΤΟΚΩ ΠΑΡΘΕΝΙΚΗ ΘΕΟΤΟΚΩ Κ ΛΥΤΡΩΤΗ ΧΡΙΣΤΩ ΙΩ ΚΟΡ פתחו שערים ויבא גוי צדיק שומר אמונים
Translation
Greek: To Anne, mother of the Virgin, to the Virgin mother of God, and to Christ the Redeemer, Johannes Goritz [dedicates this]. Hebrew: Open the gates, that the righteous nation which keepeth the truth may enter in (Isaiah 26:2).
Egidio da Viterbo
Viterbo was a primary influence on the intellectual program of the Church of Sant'Agostino, emphasizing the harmony between Hebrew scripture and Platonic philosophy.
Book of Isaiah
The central figure is the author of this prophetic text, specifically referencing chapter 26:2 on the scroll.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.