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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileThis wide view of a corner in the Vatican's Raphael Rooms shows the sprawling, chaotic battle where Constantine the Great defeated Maxentius at the Tiber River. To the right, a monumental seated Pope is flanked by an allegorical figure of Justice standing in a painted architectural niche. The scene transition from the dynamic, crowded combat to the static, solemn figure of the Papacy reflects the late Renaissance style of Raphael's workshop.
The cycle represents the providential triumph of Christianity over pagan Rome, a theme central to the political theology of the Renaissance Papacy. It reflects the Neoplatonic project of reconciling classical history and imperial authority with the divine mandate of the Church.
C. VAL. AVREL. CONSTANTINI IMP. VICTORIA QVA SVBMERSO MAXENTIO CHRISTIANORVM OPES FIRMATAE SVNT IVSTITIA SIXTVS V PONT MAX FAC IN ALTVM
Translation
The victory of the Emperor C. Valerius Aurelius Constantine, by which, through the drowning of Maxentius, the resources of the Christians were established. Justice Sixtus V, Supreme Pontiff Put out into the deep.
Eusebius of Caesarea
His 'Life of Constantine' provided the primary historical and theological narrative for the frescoes in the Sala di Costantino.
Marsilio Ficino
His Neoplatonic synthesis of Christian truth and classical antiquity informs the intellectual program of the Vatican Stanze.
Object
Fresco
religious
Digital Source
Wikimedia Commons · CC BY 2.0
Raphael Rooms, Vatican, Sept. 2011
4288 × 2848 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.