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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileOn the right, citizens frantically escape a fire in the Borgo district while Pope Leo IV appears on a distant balcony to offer a miraculous blessing. In the foreground, a young man carries an elderly man on his shoulders, visually referencing the classical hero Aeneas fleeing Troy. On the left, a separate scene depicts a naval battle and the subsequent capture of Saracen prisoners by papal forces.
These works reflect the High Renaissance project of reconciling Christian history with classical humanist ideals, specifically using Virgilian motifs to bolster the legitimacy of the Papacy. The synthesis of pagan epic and Christian miracle is a hallmark of the Neoplatonic atmosphere prevalent in the Vatican court under Leo X.
PIPINVS PIVS PRIMVS VASALLORVM IAM APERTIS GALLORVM RAVENNATE ET ALIIS PIN RVM SI LIB LATIS LEO PP IIII NEPHAS. [...] CHRISTIANVM
Translation
Pippin the Pious, first of the vassals, now with the gates of the Gauls open, from Ravenna and other places [...] Pope Leo IV [...] Wickedness [...] Christian.
Virgil
The group on the right depicts Aeneas carrying Anchises, a direct visual reference to the Aeneid used to parallel the founding of Rome with the preservation of the Church.
Object
Fresco
religious
Digital Source
Wikimedia Commons · CC BY 2.0
Raphael Rooms, Vatican, Sept. 2011
4288 × 2848 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.