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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileIn the lower right, Euclid stoops over a slate, using a pair of compasses to explain a theorem to a group of attentive students. Behind him stand Zoroaster holding a celestial globe and Ptolemy holding a terrestrial globe, representing the sciences of astronomy and geography. On the far right edge, the artist Raphael includes his own self-portrait, looking directly at the viewer from behind the astronomers.
This portion of the fresco illustrates the importance of the quadrivium—specifically geometry and astronomy—within the Neoplatonic curriculum of the Renaissance. It visualizes the synthesis of ancient scientific knowledge and its role as a prerequisite for understanding the higher metaphysical truths sought by the philosophers in the center of the mural.
Euclid, Elements
Euclid is depicted demonstrating the principles of geometry, which served as the foundation for both natural philosophy and the study of sacred proportions.
Ptolemy, Almagest
Ptolemy is shown with a globe, representing his authoritative role in the geocentric model of the universe and ancient geography.
Plotinus
The solitary figure in the red robe standing behind the astronomers is widely identified as Plotinus, whose Enneads provided the framework for Renaissance Neoplatonism.
Object
Fresco
allegory
Digital Source
Wikimedia Commons · CC BY 2.0
Raphael, School of Athens, 1509-11. detail, Vatican Museums (3)
5408 × 3550 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.