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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileThe image shows the face of the artist Raphael in a black beret looking directly at the viewer, standing next to a man in a white hat often identified as the painter Sodoma. To their left, the figure of Ptolemy is seen from behind wearing a gold radiate crown, while the hand and purple robes of Zoroaster are visible just above them. This group represents the culmination of mathematical and cosmological knowledge in the ancient world.
This section of the fresco illustrates the Renaissance synthesis of ancient wisdom, specifically the 'prisca theologia' or ancient theology. The presence of Zoroaster reflects the period's intense interest in the Chaldean Oracles and Neoplatonism, while Ptolemy represents the foundational Greek astronomical tradition.
Zoroaster
Zoroaster was viewed by Renaissance Neoplatonists like Marsilio Ficino as a primary source of the 'ancient theology' that prefigured Christian revelation.
Ptolemy
Ptolemy's Almagest and Geographia were the definitive texts for Renaissance understanding of the structure of the cosmos and the earth.
Object
Fresco
portrait
Digital Source
Wikimedia Commons · CC BY 2.0
Raphael, School of Athens, 1509-11. detail, Vatican Museums (4)
5254 × 3288 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.