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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe prophetesses are draped in voluminous robes and arranged gracefully around the curve of an architectural arch. Angels hover above them, handing down scrolls or pointing to tablets containing inscriptions that bridge pagan wisdom and Christian revelation. The composition captures a moment of divine inspiration, with the figures reacting through dynamic gestures of writing, reading, and contemplation.
This work embodies the Renaissance Neoplatonic concept of 'prisca theologia' (ancient theology), which posited that God revealed sacred truths to the pagan world through figures like the Sibyls. It reflects the intellectual efforts of thinkers like Marsilio Ficino and Lactantius to harmonize classical Greco-Roman philosophy with Christian doctrine.
IAM NO PRO GE NON ES MI HI DI GVM O PRE ET PACE NE RE AS IA VASTA
Translation
Far right scroll: 'A new generation' (from 'Iam nova progenies caelo demittitur alto,' Virgil's prophecy of a child sent from heaven). Other fragments include references to the coming of peace and the birth of prophecy.
Lactantius
Raphael's Sibyls are based on the descriptions in Lactantius' Divine Institutes, which cataloged the Sibyls as witnesses to the coming of Christ in the pagan world.
Virgil, Eclogue IV
The inscription 'Iam nova progenies' refers to Virgil's prophecy of a new golden age, which Renaissance humanists interpreted as a foretelling of the Nativity.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
http://www.wga.hu/art/r/raphael/5roma/2/05sibyl.jpg
5472 × 3648 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.