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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis sheet shows a series of figure studies including three angels in dynamic flight at the top and a smaller putto below. To the right is a separate sketch of a standing man in profile. The drawings focus on the anatomical tension and gestural movement required for figures positioned in a celestial or cloud-borne setting.
These sketches are preparatory for Raphael's 'Disputa del Sacramento' in the Stanza della Segnatura, a room that represents the synthesis of Christian theology and Neoplatonic philosophy. The depiction of angelic hierarchies serves as a visual bridge between the material world and the divine, reflecting the Renaissance fascination with the celestial orders described by Pseudo-Dionysius.
Pseudo-Dionysius the Areopagite
Raphael's structured depictions of angelic hosts in his Roman frescos were informed by the hierarchies of spiritual beings described in 'De Coelesti Hierarchia'.
Marsilio Ficino
The conceptual framework of the Stanza della Segnatura, for which these angels were drawn, aligns with Ficino's Neoplatonic efforts to reconcile pagan wisdom with Christian doctrine.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 1109 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.