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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing depicts a muscular seated man leaning forward while grasping a staff, shown in a dynamic three-quarter view. To the right, delicate pen-and-ink sketches illustrate the curling forms of acanthus leaves, common in classical ornamentation. These studies represent the artist's process of refining both human anatomy and architectural decoration for a larger composition.
These are preparatory sketches for the Chigi Chapel mosaics in Santa Maria del Popolo, a project that synthesized Christian doctrine with Neoplatonic planetary cosmology. The figure is a study for one of the angelic 'intelligences' that move the celestial spheres, a concept central to Renaissance natural philosophy and the works of Marsilio Ficino.
Plato's Timaeus
The Chigi Chapel mosaics visualize the Platonic and Neoplatonic concept of the celestial spheres being governed by divine intellects.
Marsilio Ficino
Ficino's commentaries on the harmony of the spheres and the influence of planetary intelligences informed the intellectual program of the High Renaissance.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 549 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.