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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe page contains three profile studies of heads and a sketch of a right hand, executed with fine, precise lines. A bearded man and a bishop wearing a miter are positioned at the top, while a younger figure with flowing hair and a reaching hand appears below. Faint handwritten text, consisting of Raphael's own sonnet drafts, is visible bleeding through the paper from the reverse side.
These sketches were made for the Stanza della Segnatura, a room whose intellectual program represents the synthesis of Neoplatonic philosophy and Christian theology. The 'Disputa' fresco serves as the 'Knowledge of Things Divine' (Causarum Cognitio), standing directly across from 'The School of Athens', illustrating the Renaissance effort to harmonize rational inquiry with spiritual revelation.
R.V.
Egidio da Viterbo
Viterbo was a key theologian at the Papal court and likely provided the complex Neoplatonic-Hermetic program for the Stanza della Segnatura.
Marsilio Ficino
Raphael's sonnets (visible on the sheet) and the fresco's program reflect the widespread influence of Ficino's theories on the soul's ascent and divine love.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/object/72033
800 × 1093 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.