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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileA monumental fresco on a church pillar depicting the Prophet Isaiah as a muscular figure in flowing blue and gold robes. He holds a partially unrolled scroll with Hebrew characters, while two nude putti support a dedicatory tablet above him. The composition sits above a marble sculpture of St. Anne with the Virgin and Child, creating a tiered presentation of prophetic and holy lineage.
Commissioned by the humanist Johannes Goritz, this work exemplifies the Renaissance synthesis of Hebrew prophecy and Classical form. The use of Hebrew and Greek inscriptions reflects the 'trilingual' ideal of humanism and the search for 'prisca theologia'—ancient wisdom that prefigured Christian revelation.
ΑΝΝΗΙ ΘΕΟΤΟΚΟΜΗΤΟΡΙ ΠΑΡΘΕΝΟΤΟΚΩΙ ΚΑΙ ΥΙΩΙ ΧΡΙΣΤΩΙ ΙΩ. ΚΟ. פתחו שערים ויבא גוי צדיק שמר אמנים
Translation
Greek: To Anne, Mother of the Mother of God, to the Virgin-bearer, and to her Son Christ, Johannes Corycius [dedicated this]. Hebrew: Open the gates, that the righteous nation which keeps faithfulness may enter in (Isaiah 26:2).
Book of Isaiah
The painting depicts the titular prophet and features a verse from Isaiah 26:2 on the scroll.
Johannes Reuchlin
Reuchlin’s De Arte Cabalistica parallels the Roman humanist interest in Hebrew scripture as a source of hidden divine truth seen in this work.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.