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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing shows a group of celestial putti or cherubs clustered in the clouds, rendered with energetic, overlapping lines. Below them is a faint, rapid sketch of a male figure in profile, likely a study for one of the theologians in the earthly realm of the final composition. The sheet illustrates Raphael's working method in defining the boundary between the divine and human spheres for the Stanza della Segnatura.
The 'Disputa' represents the triumph of Theology and the revelation of divine truth, serving as the spiritual counterpart to 'The School of Athens.' This program reflects the Renaissance Neoplatonic drive to harmonize classical philosophy with Christian doctrine, a project central to the intellectual circle of the papal court and figures like Marsilio Ficino.
Raphael. P. 15. A. [Stamp: ORSZÁGOS KÉPTÁR] [Stamp: Esterházy Collection]
Translation
National Gallery [Hungarian]
Marsilio Ficino
Ficino's De christiana religione and his Neoplatonic commentaries provided the intellectual framework for the reconciliation of pagan philosophy and Christian theology depicted in the Stanze.
Pseudo-Dionysius the Areopagite
The hierarchical arrangement of angels (cherubim) in the 'Disputa' draws upon the celestial hierarchies described in the works of Pseudo-Dionysius, which were central to Renaissance cosmology.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.mfab.hu/artworks/?artwork_author=raphael&offset=NaN¤t_page=NaN&artwork_type=drawing&per_page=80
927 × 1200 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.