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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis small room is covered in 'all'antica' wall paintings featuring a Pompeian red background and delicate ornamental patterns known as grotesques. Central panels depict narrative scenes from the myths of Venus, including her birth and her interactions with Cupid and Adonis. A central marble niche with a carved shell hood provides an architectural focal point amidst the surrounding painted mythological cycle.
This work is a primary example of the Renaissance revival of ancient Roman interior decoration following the discovery of the Domus Aurea. The cycle reflects the Neoplatonic interest in the 'Venus Coelestis' (Celestial Venus) and 'Venus Vulgaris' (Terrestrial Venus), themes often discussed by humanist scholars in the papal court like Pietro Bembo.
Ovid
The narrative panels within the room depict scenes primarily sourced from Ovid's Metamorphoses, particularly the stories of Venus.
Pietro Bembo
As a close friend of Cardinal Bibbiena, Bembo's Neoplatonic theories on love and beauty in 'Gli Asolani' are seen as the intellectual foundation for this Venus-centered cycle.
Object
Oil on panel
decorative
Digital Source
Wikimedia Commons · Public domain
Pierluigi De Vecchi, Raffaello, Rizzoli, Milano 1975.
760 × 1029 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.