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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA circular tondo painting featuring the Madonna in a red robe and dark mantle seated in a serene landscape. She cradles the Christ child, who reaches toward a scroll held by a young John the Baptist on the left, while a third infant figure watches from the right. The background transitions from a fortified city on the left to craggy rock formations on the right under a soft, hazy sky.
Painted during Raphael's move to Florence, this work demonstrates the influence of Leonardo da Vinci's compositional geometry and the Neoplatonic pursuit of 'divina proporzione' (divine proportion). The tondo format itself was significant in Renaissance thought as a representation of the cosmic sphere and the perfection of the heavens.
AGNIVS
Translation
Lamb
Marsilio Ficino
Raphael’s use of idealized human beauty and geometric harmony reflects the Neoplatonic belief that physical aesthetic perfection mirrors the divine order of the soul.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
www.wga.hu
4200 × 4204 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.