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Original fileThe Agony in the Garden title QS:P1476,en:"The Agony in the Garden "label QS:Len,"The Agony in the Garden "label QS:Lit,"Orazione nell'orto"label QS:Lfr,"Le Christ au jardin des Oliviers"label QS:Last,"Agonía nel Xardín"label QS:Lca,"Oració a l'hort de Getsemaní"label QS:Lde,"Christus im Garten Getsemani"label QS:Lpt,"Agonia no Getsêmani"label QS:Lbe,"Агонія ў садзе"label QS:Lbg,"Христос в Гетсиманската градина"label QS:Ltr,"Bahçede Açı Çekme"label QS:Lja,"ゲツセマネの祈り (ラファエロ)"label QS:Lsk,"Utrpenie v záhrade"label QS:Lpl,"Modlitwa w Ogrójcu"label QS:Lru,"Моление о чаше"label QS:Lel,"Η Αγωνία στον Κήπο της Γεθσημανής"label QS:Lzh-hant,"在花園裡苦惱"label QS:Lcs,"Utrpení v zahradě"label QS:Les,"La Agonía en el Jardín de Getsemaní"label QS:Lgl,"A oración do Horto das Oliveiras"label QS:Leo,"La Agonio en la Ĝardeno"
In a quiet, hilly landscape, Christ is depicted in profile with hands joined in prayer, looking up at a small angel descending with a golden cup. Three disciples are arranged in the foreground, shown in various states of heavy sleep, unaware of the spiritual crisis occurring behind them. The composition uses a clear, open space and a gentle palette characteristic of Raphael's early period.
This work reflects the focus of Renaissance religious thought on the internal psychological state of the soul's submission to divine will. The scene represents the 'bitter cup' of destiny, a theme that intersected with Neoplatonic ideas regarding the soul's alignment with universal providence.
Thomas à Kempis
His 'The Imitation of Christ' emphasizes the internal mystical path of accepting one's 'cross' and 'cup' of suffering, mirroring the scene's spiritual focus.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC0
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3851 × 3330 px
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.