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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Virgin is shown in a three-quarter profile, her gaze turned downward toward the child she cradles. The Christ Child looks up at her with an expression of recognition, his arm reaching toward her shoulder. A soft light illuminates their faces against a dark background where the features of a third figure, likely an angel, are partially visible.
As a product of Raphael's late Roman period under the patronage of Pope Leo X, this work reflects the High Renaissance synthesis of Christian theology and Neoplatonic philosophy. The emphasis on idealized beauty and mathematical harmony in the composition was intended to lead the viewer's mind from the physical representation to the contemplation of divine perfection.
Marsilio Ficino
Raphael's use of idealized human beauty as a bridge to divine truth mirrors Ficino's Neoplatonic theories on the 'theology of beauty.'
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/5roma/5/01holyfb"
3469 × 4529 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.