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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Holy Familylabel QS:Lit,"Sacra Famiglia sotto la quercia"label QS:Lja,"樫の木の下の聖家族"label QS:Lfr,"La Sainte Famille sous un chêne"label QS:Larz,"العائله المقدسه (لوحه)"label QS:Lml,"ഹോളി ഫാമിലി അണ്ടർ ആൻ ഓക്ക് ട്രീ"label QS:Lnl,"The Holy Family"label QS:Lde,"Hl. Familie unter der Eiche, mit Johannes dem Täufer"label QS:Len,"The Holy Family"label QS:Ltr,"Kutsal Aile"label QS:Les,"Sagrada Familia del roble"
The figures are arranged in a monumental triangular composition under the spreading branches of an oak tree, which gives the painting its traditional name. To the right, Saint Joseph rests his head on his hand in a contemplative pose while leaning on a ruined classical pedestal, while in the background, Roman ruins sit beneath a pale blue sky.
This work represents the High Renaissance synthesis of Christian narrative with the 'all'antica' style, using classical ruins to symbolize the displacement of the pagan world by the new era. Raphael’s late style exemplifies the Neoplatonic ideal of 'grazia' (grace), where physical harmony serves as a visual manifestation of divine order.
ECCE AGNVS DEI
Marsilio Ficino
Raphael's harmonious compositions were seen by contemporaries as the visual equivalent of Ficino's Neoplatonic theories regarding divine beauty and the reconciliation of the classical and Christian traditions.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.museodelprado.es/imagen/alta_resolucion/P00303.jpg
2308 × 3051 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.