This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Madonna and Child (The Mackintosh Madonna) title QS:P1476,en:"The Madonna and Child (The Mackintosh Madonna) "label QS:Len,"The Madonna and Child (The Mackintosh Madonna) "label QS:Lit,"Madonna della Torre"label QS:Lja,"マッキントッシュの聖母"label QS:Lfr,"La Madone Mackintosh"label QS:Lnl,"Mackintosh Madonna"label QS:Lde,"Madonna und Kind (Mackintosh Madonna)"label QS:Ltr,"Mackintosh Madonnası"label QS:Lru,"Мадонна Макинтоша"
The Virgin Mary holds the Christ child closely, their faces touching in an intimate gesture of maternal affection. The child stands on a ledge, leaning into his mother's chest while looking out toward the viewer. The background features a soft, atmospheric landscape with a distant hill, though the painting's surface appears unusually blurred and translucent due to historical abrasion.
Painted during Raphael’s early years in Rome, this work exemplifies the High Renaissance synthesis of Christian devotion with Neoplatonic ideals of harmony and divine beauty. The emphasis on the human bond between mother and child reflects the contemporary philosophical move toward seeing the divine through perfected natural forms.
Marsilio Ficino
Raphael's pursuit of idealized beauty in his Madonnas was deeply influenced by Neoplatonic theories of divine love and the ascent of the soul through the contemplation of beauty.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
National Gallery, London - online catalogue.
4905 × 6000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.