Vatican Museums-6 (146)

This fresco detail features two female figures painted in 'en grisaille' to mimic the appearance of marble sculptures acting as architectural supports. One figure holds a large cornucopia overflowing with fruit, symbolizing abundance, while the other carries a flaming torch, representing spiritual illumination or faith. These monochromatic figures flank larger narrative scenes, serving as a symbolic foundation for the historical and theological programs of the room.

These figures represent the High Renaissance synthesis of classical antiquity and Christian doctrine, a hallmark of the Neoplatonic environment at the papal court. The use of 'prisca theologia'—the idea that ancient pagan symbols like the cornucopia and torch prefigured Christian truths—is central to the intellectual program designed by Raphael and his circle.