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Original fileThe vaulting is decorated with a series of frescos depicting the mythological trials and eventual triumph of the soul, Psyche, through her union with Cupid. Lush botanical garlands separate the scenes, creating the illusion of a garden pergola open to the sky where the Olympian gods assemble. The large central panels depict the Council of the Gods and the Wedding Banquet of Cupid and Psyche.
Based on Apuleius’s Metamorphoses, this cycle functions as a Neoplatonic allegory for the human soul's (Psyche) arduous journey, purification, and eventual immortalization through divine Love (Cupid). It reflects the Renaissance synthesis of classical mythology and philosophical inquiry regarding the nature of the soul.
Apuleius, The Golden Ass
The fresco cycle is a direct visual translation of the Cupid and Psyche myth found in Books IV–VI of this Latin text.
Marsilio Ficino
Ficino's Neoplatonic theories on the 'divine madness' of love and the soul's ascent provided the philosophical framework for interpreting this myth in the Renaissance.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.