This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileThe central figure is Mercury, identifiable by his winged hat, winged sandals, and caduceus, descending through a blue sky. He is framed by heavy, naturalistic garlands of fruit and vegetables that divide the vaulting into triangular compartments. In the surrounding spaces, small winged cupids carry attributes of other Olympian gods, such as a trident and a club, against a backdrop of clouds.
The Cupid and Psyche cycle, based on Apuleius’s 'The Golden Ass', was interpreted by Renaissance humanists as a Neoplatonic allegory of the soul's (Psyche's) journey through earthly trials to achieve divine immortality. Mercury appears here as the divine messenger and psychopomp who facilitates the mediation between the celestial and terrestrial realms.
Apuleius
The fresco cycle depicts the narrative of Cupid and Psyche found in his work 'The Golden Ass' (Metamorphoses).
Marsilio Ficino
Ficino’s Neoplatonic commentaries popularized the view of the Psyche myth as an allegory for the ascent of the human soul to divine love.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.