De vier belangrijkste Christelijke feestdagen

A central engraving shows Christ rising from his tomb holding a banner of victory, flanked by two angels and positioned beneath a celestial vision of God the Father. The scene is encased in an elaborate Mannerist frame containing four medallions depicting the Last Supper, the Washing of the Feet, the Crucifixion, and the Entombment. Ornamental strapwork throughout the composition incorporates instruments of the Passion, such as the crown of thorns, nails, and the spear of Longinus.

As a product of the Sadeler workshop, this print represents the sophisticated intersection of Counter-Reformation theology and Mannerist artifice. In the context of the Western esoteric tradition, the 'Resurrectio' was frequently used by Christian Hebraists and alchemists as a metaphor for the 'triumph of the spirit' or the final stage of the Great Work, where the perfected substance rises from the 'sepulcher' of the alembic.