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Original fileAbout This Work
The central scene shows Christ and Pilate standing under a classical pediment, elevated above a tumultuous mob of onlookers. The entire composition is enclosed in an intricate oval border filled with Mannerist scrollwork, architectural elements, and grotesque masks. Armed soldiers flank the central duo, while the figures below display a range of expressive, agitated gestures.
The Sadeler family were the preeminent engravers of the Rudolfine court in Prague, a major center for late Renaissance Hermeticism and alchemy. This print demonstrates how traditional religious subjects were rendered with the complex, ornamental 'grotesque' style favored by Northern Mannerists who sought to bridge the gap between sacred art and the sophisticated aesthetics of esoteric court culture.
Inscriptions
ECCE HOMO IOAN: SADLER EXCVD: MARC: GERAERD FIGVR:
Translation
BEHOLD THE MAN IOAN: SADLER PUBLISHED: MARC: GERAERD DESIGNED:
Connected Texts
Thomas à Kempis
The 'Ecce Homo' motif was central to the 'Imitatio Christi' mystical tradition, emphasizing the internal meditative experience of Christ's suffering.
Collections
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 160 mm x width 114 mm
religious
Linked Data
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