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Kaïn doodt Abel

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Kaïn doodt Abel

Aegidius Sadeler

1579
paper
height 204 mm x width 285 mm
Rijksmuseum, Amsterdam

About This Work

Cain is depicted mid-strike, looming over his brother Abel with an animal jawbone raised as a weapon. In the background, the divine reaction to their offerings is visible: smoke from Cain’s fruit offering on the left curls downward to the earth, while smoke from Abel’s lamb on the right rises straight toward the celestial light. A third figure in the middle distance, likely Adam, reacts with a gesture of despair to the sight of the first murder.

This scene represents the origin of human violence and the 'fallen' state of nature within the Western tradition. In esoteric and Gnostic thought, Cain and Abel are often interpreted as representing the duality of the human soul—the material, terrestrial 'Cain' nature versus the spiritual, pneumatic 'Abel' nature.

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Inscriptions

Inuidia fratrem Cainus morte necat hic: Amittitque truci cæde salutis iter. 
2
Genes. 4.

Translation

Cain kills his brother through the envy of death here:
And loses the way of salvation by his cruel slaughter.
2
Gen. 4.

Connected Texts

Genesis

The primary biblical source (Chapter 4) for the narrative of the first fratricide and the rejected sacrifice.

Jacob Böhme

In 'Mysterium Magnum', Böhme offers an esoteric commentary on Cain and Abel as symbols of the opposing 'tinctures' of wrath and love within the soul.

Provenance & Source

Object

Holding Institution

Rijksmuseum, Amsterdam

Medium

paper

Dimensions

height 204 mm x width 285 mm

GenreAI

religious

Digital Source

Source

Rijksmuseum · CC0 1.0

Original Resolution

3840 × 3288 px

Harvested

March 25, 2026

Linked Data

AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.

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