Loading...
Saul richt zijn speer op David

Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen

Original file
PrintCC0 1.0

Saul richt zijn speer op David

Aegidius Sadeler

1580
paper
height 215 mm x width 256 mm
Rijksmuseum, Amsterdam

About This Work

King Saul sits on an elevated throne, lunging forward with a spear while his soldiers attempt to restrain him. David stands to the right, glancing back as he plays a large lyre, representing the power of music to calm the soul. A shadowy, winged demonic figure hovers behind Saul, personifying the 'evil spirit' that torments the king.

This scene illustrates the Renaissance concept of 'musica medica' or the therapeutic power of music to treat spiritual and mental afflictions like melancholy. In Neoplatonic thought, music was believed to harmonize the 'spiritus' of the listener with the celestial spheres, a concept central to the works of Marsilio Ficino.

King SaulDavidEvil SpiritSoldierslyre71H152271H152148C752

Inscriptions(Latin)

Martin de Vos figuravit
Ioann Sadler auctor et excud

Isacides Genio Saulem exagitante maligno,
Suaue canit plectro dulcisonante melos,
Rex vero excandens, ferrata cuspidis ictu
Aduerso intendit fata netemq[ue] viro

1. Sam. 19.

Beatus vir, cui non imputauit Dominus
peccatum, nec est in spiritu eius dolus
pro hac orabit ad te omnis sanctus in
tempore opportuno. psalm. 31.

Translation

Martin de Vos designed it
Jan Sadeler authorized and published it

As David plays a sweet melody on his lyre to soothe Saul, who is tormented by an evil spirit,
The King, however, growing angry, aims the iron point of his spear
To deal fate and death to the man.

1 Sam. 19.

Blessed is the man to whom the Lord does not impute 
sin, and in whose spirit there is no guile;
for this shall every holy one pray to thee in
an opportune time. Psalm 31.

Connected Texts

Marsilio Ficino

Ficino's 'De vita libri tres' discusses the use of the lyre and specific musical modes to dispel harmful planetary influences and heal the spirit, mirroring David's role here.

Robert Burton

In 'The Anatomy of Melancholy', David's playing for Saul is cited as the primary biblical example of music's power to cure despair and madness.

Provenance & Source

Object

Holding Institution

Rijksmuseum, Amsterdam

Medium

paper

Dimensions

height 215 mm x width 256 mm

GenreAI

religious

Digital Source

Source

Rijksmuseum · CC0 1.0

Original Resolution

3840 × 3217 px

Harvested

March 24, 2026

Linked Data

AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.

View full resolution (5070 × 4248)

This library is built in the open.

If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.