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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileAllegorie op de menselijke aard Naturae sequitur semina quisque suae (titel op object)
In a central frame, a seated personification of Nature is surrounded by figures representing Benevolence, who has a radiant sun-like face, and Malignity, who possesses a dark, shadowed countenance and serpent-like attributes. A lion rests at Nature's feet, while the scene is flanked by two additional niches containing 'Good Disposition' (Bona Indoles) and 'Malice' (Malignitas). The composition is filled with moralizing emblems, including an obelisk representing constancy, a coffin representing oblivion, and mirrors used to reflect the true state of the human soul.
This print reflects the Neoplatonic and Stoic belief in 'semina' (seeds) or innate predispositions within the human soul that dictate moral development. It visualizes the philosophical discourse on gratitude and social bonds, likely influenced by Seneca’s 'De Beneficiis,' a central text in Renaissance moral philosophy and natural law.
NATURA SEQUITUR SEMINA QUISQUE SUAE INGRATIS SERVARE NEFAS Non perit, bonis quod fit bene. Quantum foet equitas Beneficentia Mors. Oblivio. Pura de capaq manu. Bona indoles Pro Miseria aconita Malignitas Petr. Isaacq. Inven. et figuravit. / JSaenred. sculp. / KRazet divulgavit. Robbertus de Baudous Excudebat. Erklarung Dieser Spiegel/ oder Gedechtnuß Der danckbarkeit unnd undanckbarkeits. [Extensive German verse follows below explaining the mirror of gratitude]
Translation
EVERYONE FOLLOWS THE SEEDS OF THEIR OWN NATURE IT IS A SIN TO SERVE THE UNGRATEFUL What is done well for the good does not perish. How great is equity Beneficence Death. Oblivion. From a pure and capable hand. Good character For misery, aconite Malignity Petr. Isaacq. invented and designed. / JSaenred. sculpted. / KRazet published. Robbertus de Baudous produced it. Explanation This mirror/ or remembrance Of gratitude and ingratitude.
Seneca, De Beneficiis
This classical text is the foundational source for Renaissance explorations of gratitude, benevolence, and the ethical 'seeds' of the soul depicted here.
Cicero, De Officiis
Cicero's discussion of social duties and the inherent nature of man informs the moral landscape of the print.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.337740
Creative Commons Zero, Public Domain Dedication
5743 × 7983 px
096badd70c2dca590bec6f66cd0568db2dd8d212
December 3, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.