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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA youth in elaborate Mannerist dress holds a carnation, a symbol of fleeting life, while looking toward the viewer. Beside him, a skeletal figure of Death sits draped in a shroud upon a sarcophagus, pointing toward a skull and bones lying on the ground. A monumental pyramid rises in the background, contrasting the fleeting nature of human vanity with the permanence of mortality.
This engraving is a quintessential 'memento mori' and 'vanitas' image, reflecting the late Renaissance preoccupation with the transience of the physical world. It visualizes the philosophical tension between worldly beauty and the inevitability of death, a core theme in Stoic and Neoplatonic thought revived by the Haarlem humanists.
FVI, NON SVM: ES, NON ERIS. HGoltzius Inve. 1592
Translation
I was, I am not: You are, you will not be. H. Goltzius invenit. 1592
Seneca the Younger
The print visualizes the Stoic 'meditatio mortis', a practice of contemplating mortality to achieve spiritual detachment, which was heavily promoted by the intellectual circle of Goltzius.
Ars Moriendi
The work belongs to the long-standing tradition of 'The Art of Dying', which sought to prepare the soul for its transition by acknowledging the vanity of earthly life.
Object
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
Creative Commons Zero, Public Domain Dedication
3746 × 4961 px
29c6d8d117d78cf6f5837e2f810f32068fc4802e
January 24, 2022
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.