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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA man and a woman are shown in an intimate half-length portrait, their faces pressed together as they hold one another. The woman wears a pearl necklace and a floral-patterned dress, while a tortoise—a traditional symbol of the sense of touch—rests on the fabric in the lower right. The scene is framed by heavy drapery, focusing the viewer's attention on the tactile interaction between the figures.
In the Renaissance and early modern period, the five senses were a primary subject of natural philosophy, viewed as the instruments through which the soul interacted with the material world. This print reflects the moralizing tradition that categorized touch as the most base and carnal of the senses, warning that physical contact can lead to moral corruption.
5 Que conspecta nocent, manibus contingere noli, Ne mox peiori corripiare malo.
Translation
5 What is harmful to behold, do not touch with your hands, Lest you be seized by a worse evil soon.
Aristotle, De Anima
Aristotle's influential treatise provides the philosophical foundation for the classification and hierarchy of the five senses depicted in this series.
Hendrick Goltzius
Saenredam frequently engraved designs by Goltzius, the leader of the Haarlem Mannerists, who specialized in complex allegorical series.
Object
Rijksmuseum, Amsterdam
blad: hoogte 175 mm x breedte 124 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.