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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe engraving shows a dark, crowded cavern where a mass of people are seated, captivated by shadows projected onto a stone wall. Behind them, figures on a raised platform carry various objects past a burning lamp to create these illusions, while to the left, a group of scholars in contemporary dress turns toward the cave's opening to behold the true sunlight. The composition contrasts the murky, confused interior of the cave with the clear, blinding light of the world outside.
This is the definitive visual interpretation of Plato's 'Republic' (Book VII), serving as a core metaphor for Neoplatonic thought regarding the soul's ascent from sensory illusion to intellectual and divine truth. It reflects the intellectual climate of the Haarlem Mannerists, who used such allegories to explore the relationship between art, perception, and the hidden nature of reality.
LVX VENIT IN MVNDVN ET DILEXERVNT HOMINES MAGIS TENEBRAS QVAM LVCEM. IO. 3. 19. ANTRVM PLATONICVM. Maxima pars hominum caecis immersa tenebris Volvitur assidue, et studio letatur inani: Aspice ut obiectis haereat umbris, Vt VERI simulacra omnes mirentur amentque. Et si solidi vanâ ludantur imagine rerum Quam pauci meliore luto, qui in lumine puro Secreti a stolidâ turbâ, ludibria cernunt Rerum umbras rectaque expendunt omnia lance: Hi positâ erroris nebulâ dignoscere possunt Vera bona, atque alios caecâ sub nocte latentes Extrahere in claram lucem conantur, at illis Nullus amor lucis, tanta est rationis egestas. C.C. Harlemensis Inv. Saenredam Sculpsit Henr. Hondius excudit. 1604. H. SPIEGEL FIGVRARI ET SCVLPI CVRAVIT AC DOCTISS. ORNATISS. Q. D. PET. PAAW IN LVGDVN. ACAD. PROFESSORI MEDICO D. D.
Translation
Light is come into the world, and men loved darkness rather than light. Jo. 3. 19. Plato's Cave. The greatest part of mankind, immersed in blind darkness, Rolls along incessantly, and rejoices in vain pursuit: Behold how they cling to the shadows set before them, How all admire and love the likenesses of the TRUTH. And if they are deceived by the vain image of solid things, How few are of better clay, who in pure light, Apart from the foolish crowd, perceive the mockery Of the shadows of things and weigh all things in a true scale: These, having laid aside the mist of error, are able to discern True goods, and strive to draw others, lurking in the blind night, Into the clear light, but for them There is no love of light, so great is the poverty of reason. C.C. of Haarlem, Inventor. Saenredam, Engraver. Henr. Hondius, Publisher. 1604. H. Spiegel caused this to be figured and sculpted, and dedicated it to the most learned and most distinguished P. Paaw, Professor of Medicine at the Academy of Leiden.
Plato's Republic
The print is a direct literal and symbolic illustration of the Allegory of the Cave described in Book VII.
Cornelis van Haarlem
The painter who provided the original design (inventor) for Saenredam's engraving.
Object
National Gallery of Art, Washington
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
4000 × 2998 px
94a032ddc819bc63533fcab68e1eac2165c77e64
September 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.