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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis expansive engraving captures the maritime activity of early 17th-century Amsterdam, showcasing a dense array of merchant vessels and warships. Above the city skyline, the clouds are populated by classical deities including Mercury, Neptune, and the personified Maid of Amsterdam, who preside over the city’s prosperity. Ornate cartouches containing Latin verses and coats of arms frame the upper corners, blending cartographic detail with complex Mannerist allegory.
The print exemplifies the Haarlem Mannerist tradition of using classical mythology—specifically Mercury for commerce and Neptune for naval power—to provide a philosophical framework for the Dutch Golden Age. It reflects the era's focus on 'Concordia' (Harmony), as seen in the central banner, a concept central to the period's political and natural philosophy.
CONCORDIA RES PARVAE CRESCUNT AMSTELODAMUM TYA FLUVIUS Vidit ut hanc longe surgentem e fluctibus urbem... (Left cartouche verse by Cornelis Schonaeus) Auris, quam optas tenuisse funis ab alto... (Right cartouche verse by Cornelis Schonaeus) Amplissimo Prudentissimoq. DD. Consulibus... (Dedication to the burgomasters of Amsterdam)
Hendrick Goltzius
Jan Saenredam was the primary student of Goltzius, and this print reflects the technical virtuosity and allegorical complexity of the Goltzius school.
Cornelis Schonaeus
Schonaeus, a Christian humanist and rector of the Latin School in Haarlem, authored the Latin verses found in the cartouches of Saenredam’s engravings.
Object
Rijksmuseum, Amsterdam
Engraving
landscape
Digital Source
Wikimedia Commons · Public domain
www.rijksmuseum.nl : Home : https://www.rijksmuseum.nl/en/collection/RP-P-1898-A-20079
Public domain
16672 × 3172 px
4430a196b5f573e2c15290ed55d5f1fbad7667f2
January 17, 2015
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.