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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA semi-nude Venus is shown in a dynamic Mannerist pose, wearing an ornate jeweled belt and holding the golden apple of discord. Cupid reclines in the foreground clutching his bow, while two doves, the traditional birds of the goddess, appear in the cloudy sky behind her. The image is characterized by the swirling, rhythmic line work typical of late 16th-century Dutch engraving.
Venus serves as a central archetype in Renaissance Neoplatonism, representing the attraction of the soul toward divine beauty as discussed in Marsilio Ficino’s commentaries. This print belongs to a series exploring the classical mysteries of the planetary deities and their influence over the human psyche.
HG. Inuent J. Saenredam Sum Venus, orta mari, toti gratissima coelo, Exhilarans homines, ethereosq. Deos. 2
Translation
HG. Inventor J. Saenredam I am Venus, born of the sea, most pleasing to the whole heaven, Gladdening men and the ethereal Gods. 2
Marsilio Ficino
Ficino's 'De Amore' redefined Venus for the Renaissance as a symbol of divine beauty and the intermediary between the intellect and the physical world.
Pico della Mirandola
Venus and Cupid are central figures in Pico's 'Commento', where they represent the cosmic forces of Love and Beauty.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
https://clevelandart.org/art/1993.205.2
Creative Commons Zero, Public Domain Dedication
3307 × 4812 px
d89ac15e44f1d647909c7fc13bcb888f8befa42b
April 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.