This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA woman with an exposed breast and elaborate headwear rests beside a table laden with jewelry, coins, and ornate vessels. She holds an incense burner or urn from which a thick, billowing cloud of smoke rises, symbolizing the fleeting nature of life. The central scene is framed by expansive, decorative calligraphy that spells out a biblical warning on the transience of all things.
This engraving is a quintessential expression of the Vanitas theme, which urged viewers to contemplate the inevitability of death and the worthlessness of material pursuits. It reflects the early modern philosophical intersection of Christian morality and Neoplatonic thought, where the material world is seen as a shadowy, temporary illusion compared to the eternal soul.
VANITAS VANITATUM ET OMNIA VANITAS Blommaert Pinx. I. Saenredam sculpsit. Robbertus de Baudous Excudebat.
Translation
VANITY OF VANITIES AND ALL IS VANITY Blommaert painted it. I. Saenredam engraved it. Robbertus de Baudous published it.
Ecclesiastes
The calligraphic inscription 'Vanitas vanitatum et omnia vanitas' is taken from Ecclesiastes 1:2 in the Latin Vulgate, the scriptural basis for the Vanitas genre.
Object
Google Art Project
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
vAHgl1f5Cjsqyg at Google Cultural Institute maximum zoom level
Public domain
2221 × 2585 px
4e034d0f319b47513325ee0d0e64f0d7a25066dd
October 4, 2012
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.