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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileAn allegorical female figure sits in contemplation, surrounded by a table overflowing with symbols of worldly power and luxury, including a crown, scepter, and ornate metal vessels. A plume of smoke or vapor rises from a vessel she holds, representing the fleeting nature of human existence. The entire scene is framed by elaborate calligraphic flourishes containing the Latin phrase for 'Vanity of vanities; all is vanity.'
This print is a quintessential example of the 'Vanitas' genre, which used moralizing imagery to remind viewers of the inevitability of death and the transience of material wealth. It reflects the pervasive influence of Memento Mori philosophy in Northern European culture during the late 16th century, grounded in the biblical text of Ecclesiastes.
VANITAS VANITATUM ET OMNIA VANITAS Blommaert Pinx, J. Saenredam sculpsit, Robbertus de Baudous Excudebat.
Translation
VANITY OF VANITIES AND ALL IS VANITY Blommaert painted, J. Saenredam engraved, Robbertus de Baudous published.
Ecclesiastes
The central theme and the Latin inscriptions are taken directly from Ecclesiastes 1:2, which addresses the futility of earthly life.
Object
Rijksmuseum, Amsterdam
hoogte 0 mm x breedte 0 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.