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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileVenus en Amor - Bacchus, Venus en Ceres (serietitel)
A semi-nude Venus is depicted in a refined Mannerist style, holding a smoldering heart that represents the heat of desire. Below her, a winged Cupid holds his bow, looking toward the goddess as the central scene is framed by an architectural oval. The composition is flanked by billing doves at the top and hearts pierced by arrows at the bottom, emphasizing the theme of romantic union and its dependencies.
This print illustrates the Renaissance proverb 'Sine Cerere et Baccho friget Venus' (Without Ceres and Bacchus, Venus freezes), suggesting that love requires the nourishment of food and wine to thrive. It reflects the Mannerist fascination with the interplay between physical needs and spiritual passions, a common theme in the circle of Hendrick Goltzius and the Haarlem Academy.
2 HG Cum Cerere, et Baccho mea iuncta potentia magna est, Absq[ue] his exiguam vim meus ignis habet. C. Schoneus.
Translation
2 HG With Ceres and Bacchus my power is joined and great, Without these my fire has but meager strength. C. Schoneus.
Erasmus of Rotterdam
Erasmus popularized the proverb 'Sine Cerere et Baccho friget Venus' in his Adagia, which serves as the conceptual basis for this series of prints.
Hendrick Goltzius
Jan Saenredam engraved this work based on a design by Goltzius, as indicated by the 'HG' monogram.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://www.rijksmuseum.nl/nl/collectie/RP-P-OB-10.580
Public domain
5346 × 7136 px
bd2761909924e9adeacfcf2458a88e4ca717ab35
August 12, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.