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Original fileA partially nude Venus rests elegantly on a tasseled bed while winged cupids tend to her and hold her quiver of arrows. The central oval scene is set within a complex Mannerist frame featuring overflowing cornucopias, fruit, and additional putti in the corners. The meticulous engraving emphasizes textures of fabric and skin, typical of the Haarlem school.
This work presents Venus not merely as a goddess of love, but as a cosmic force to whom the heavens and the four elements are subject. The accompanying Latin verse reflects Neoplatonic ideas prominent in the circle of Hendrick Goltzius, where mythological figures acted as personifications of natural and celestial laws.
Quid non designat munita Cupidine Cypris? Cui caeli virtus, elementaq[ue] cuncta ministrant. HG. inventor. C. Schonaeus. Visscher excudebat
Translation
What does Cypris, fortified by Cupid, not contrive? To whom the power of heaven and all the elements minister. HG. inventor. C. Schonaeus. Visscher published it.
Hendrick Goltzius
Goltzius designed this composition, frequently using such imagery to explore the intersection of planetary gods and natural philosophy.
Cornelis Schonaeus
Schonaeus authored the Latin verse on the print, which identifies Venus as a ruler over the elements and celestial virtues.
Object
Rijksmuseum, Amsterdam
height 216 mm x width 288 mm
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.