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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original filePomona sits semi-nude beneath a large, fruit-bearing tree, holding a curved pruning hook and surrounded by a bountiful harvest of pumpkins, cabbages, and grapes. Beside her sits Vertumnus in the guise of a hunched old woman, gesturing toward the nymph as he attempts to persuade her to embrace love. The background reveals a meticulously groomed formal garden, characteristic of early 17th-century landscape design.
Based on Ovid’s Metamorphoses, this scene serves as an allegory for the seasonal cycles and the transformative power of nature. In the Renaissance Neoplatonic and Hermetic traditions, Vertumnus’s shapeshifting represents the 'Protean' nature of the material world and the hidden divinity within the changing forms of natural philosophy.
Inter Hamadryadas cultrix asperrima nymphas Hortorum POMONA fuit, cui femina foetus Arborei cura, et septi pomaria ruris, Et vites sociare vltis, et stringere curva Falce comas, stirpemq. invito inducere trunco, Et pomis onerare pyros, vina addere malis; Alta laborantes adspergore fontibus hortos, Hortus ubi cucumis, tumidoq. cucurbita ventre Lenta iacet, feronag. inclinat brassica caule: Sola inter dumos neglecta eruca iacebat. Nympha, viri impatiens, studio devota colendi, Fugit lascivos paganica numina Faunos, Et licet indignam passus sine fine repulsam Aptis in omnigenas speciem variare figuras VERTUMNUS simulavit anum, glebisq. resedit: Et rigidas Paphiis mulcens vocibus aures Redditur oris honos, Baccho vel Apolline dignus Priscaq. celato renovatur forma iuvcntae: Victa Dea est, parilemque ignem confessa rubore Ivit in amplexus, mus assula medulla. Schrevelius. A. Bloemaert inven. I. Saenredam sculp. et excud. 1605
Translation
Among the Hamadryad nymphs, Pomona was the most diligent cultivator Of gardens; her concern was the fruit of the tree, And the orchards of the enclosed countryside, To join vines to elms, and to prune the foliage with a curved Sickle, and to graft a slip onto an unwilling trunk, And to load pear trees with fruit, to add grapes to apple trees; To sprinkle the laboring gardens with high fountains, Where the cucumber lies in the garden, and the gourd with its swollen Belly rests languidly, and the cabbage bends on its thick stalk: Only the arugula lay neglected among the brambles. The nymph, impatient of men, devoted to the study of cultivating, Fled the lascivious woodland deities, the Fauns, And although he suffered an endless, undeserved rebuff, Vertumnus, skilled in varying his appearance into all kinds of shapes, Disguised himself as an old woman, and sat upon the clods: And stroking her stiff ears with Paphian words, The honor of his mouth is restored, worthy of Bacchus or Apollo, And the ancient form of his youth is renewed, though hidden: The goddess was conquered, and confessing a similar fire with a blush, She went into his embrace, her marrow softened. Schrevelius. A. Bloemaert inven. I. Saenredam sculp. et excud. 1605
Ovid
The narrative is taken from Book XIV of Ovid's Metamorphoses, a primary source for Renaissance mythological allegory.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31885209-O3.jpg Gallery: http://collections.lacma.org/node/171143 archive copy at the Wayback Machine
Public domain
1534 × 2100 px
a57351f3309df33b175dba03775c81aedc81835b
July 19, 2013
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.