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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA man in dark robes rests lifelessly against an ornate stone bench, his hand still clutching a quill near an open notebook. The room is filled with the tools of his craft, including glass retorts suspended from the wall, a mortar and pestle, and a small furnace with spilled ashes and charcoal. Faint alchemical diagrams are etched into the plaster wall behind the figure, illuminated by a focused light source from above.
This 19th-century work reflects the Romantic-era fascination with the alchemist as a tragic figure who sacrifices his life to the pursuit of the Great Work. It serves as a memento mori, contrasting the eternal goals of the Hermetic tradition with the physical frailty and mortality of the practitioner.
V 1868
Paracelsus
The image evokes the legendary death of Paracelsus and the trope of the lone, exhausted researcher common in 19th-century interpretations of his life.
Heinrich Cornelius Agrippa
The scene illustrates the 'vanity of the sciences,' a theme famously explored by Agrippa regarding the futility and danger of occult pursuits.
Object
Engraving
genre-scene
Digital Source
Wikimedia Commons · Public domain
Online Collection of Brooklyn Museum; Photo: Brooklyn Museum, 21.78_transp6194.jpg
Public domain
1088 × 1536 px
f20df272e731785778d20cfdc57cf04350d1560e
April 28, 2010
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.