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Original fileAbout This Work
The image is an engraving presenting a global map framed within a decorative border of interlocking strapwork, scrolls, and floral motifs. The continents are rendered in basic outline with labels for major regions and oceans, including a massive, speculative southern landmass that occupies the entire bottom portion of the oval. The map utilizes a standard sixteenth-century projection, with the Americas situated to the left and the Afro-Eurasian landmasses to the right, all set against a horizontally hatched background representing the seas. The visual style is characteristic of Renaissance cartography, prioritizing clear geographic nomenclature over topographic relief.
This map serves as the foundational world map for Abraham Ortelius's 'Theatrum Orbis Terrarum' (1570), the first modern atlas, which synthesized the fragmented geographical knowledge of the Age of Discovery into a standardized systematic format.
Inscriptions(Latin)
TYPVS ORBIS TERRARVM QVID EI POTEST VIDERI MAGNVM IN REBVS HVMANIS, CVI AETERNITAS OMNIS, TOTIVSQVE MVNDI NOTA SIT MAGNITVDO. CICERO: TERRA AVSTRALIS NONDVM COGNITA
Translation
Map of the World. What can seem great in human affairs to one who has knowledge of all eternity and the magnitude of the whole world? (Cicero). The Southern Land not yet known.
Connected Texts
Abraham Ortelius, Theatrum Orbis Terrarum
This print is the primary map of the world that introduces the first unified atlas of the known world.
Collections
Provenance & Source
Object
IIIF Source
map
Digital Source
Allard Pierson, University of Amsterdam · Public domain
Linked Data
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