This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileTwo youthful angels with halos are shown kneeling in a rocky landscape. The angel on the left is seen in profile with intricate, curled hair, while the other looks toward the viewer and holds a white cloth. This scene is a detail from a larger painting depicting the baptism of Jesus by John the Baptist.
The depiction of angels in 15th-century Florence was deeply influenced by the Neoplatonic revival and the writings of Pseudo-Dionysius on the celestial hierarchy. This specific figure marks the beginning of Leonardo's career, showcasing his early application of naturalistic observation to divine subjects.
Pseudo-Dionysius the Areopagite
Renaissance angelology was largely based on the celestial hierarchies established in his writings.
Marsilio Ficino
Ficino's Neoplatonic philosophy shaped the intellectual and artistic environment of Florence during Leonardo's apprenticeship in Verrocchio's studio.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Internet Archive identifier: bostmastersinartleon00rich
Public domain
1804 × 2784 px
8269ff5d7f925b3a650ad1101899cecdf6d3ee7a
July 22, 2021
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.