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Wikimedia Commons · No restrictions · Hover to magnify, click for fullscreen
Original fileWith Shelley in Italy - being a selection of the poems and letters of Percy Bysshe Shelley which have to do with his life in Italy from 1818 to 1822 (1905) (14801984223)
A close-up of Medusa's severed head lying on a dark, rocky ground, her hair replaced by a writhing mass of intertwined snakes. Her pale face is contorted in the moment of death with eyes rolled upward, while small creatures like a toad and insects crawl through the murky, vaporous shadows in the background.
Historically attributed to Leonardo da Vinci, this image became a cornerstone of the Romantic 'terrible sublime,' specifically inspiring Percy Bysshe Shelley's poem on the subject. In the broader philosophical tradition, the Medusa represents the petrifying power of material obsession and the 'terrible beauty' of divine truths that cannot be faced directly.
Percy Bysshe Shelley
Shelley's 1819 poem 'On the Medusa of Leonardo da Vinci in the Florentine Gallery' was a direct meditation on this specific painting.
Ovid, Metamorphoses
The primary literary source for the myth of Medusa's transformation and her death at the hands of Perseus.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · No restrictions
https://www.flickr.com/photos/internetarchivebookimages/14801984223/ Source book page: https://archive.org/stream/withshelleyinitashelrich/withshelleyinitashelrich#page/n238/mode/1up
No known copyright restrictions
2160 × 1376 px
8f5777bc8349e03320d6cfc183c36652f533bf26
October 1, 2015
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.