This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.

Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe drawing focuses on the complex movement of fabric as it wraps around a human arm, rendered with delicate shifts in shadow and light. Leonardo uses white heightening on orange-red paper to give the cloth a sense of physical weight and three-dimensional volume. This study was made in preparation for his painting 'The Virgin and Child with Saint Anne'.
Leonardo's meticulous study of material and motion reflects his commitment to 'Saper Vedere' (knowing how to see), where the artist-philosopher uncovers the hidden mechanics of nature. This approach aligns with the Renaissance Neoplatonic tradition that viewed the empirical observation of the microcosm as a path to understanding the divine order of the macrocosm.
213 ER
Leonardo da Vinci
In his notebooks and 'Treatise on Painting,' Leonardo describes the 'science of painting' as a tool of natural philosophy for investigating the mathematical and physical structures of the world.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · CC BY-SA 4.0
https://www.rct.uk/collection/search#/1/collection/912532/the-arm-of-the-virgin
Creative Commons Attribution-Share Alike 4.0
2250 × 1311 px
07d8de459329d643a64a8494c7eb47bc73479896
June 3, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.