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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileThe woman is shown in a three-quarter view looking downward, with a serene expression and eyes nearly closed. Her hair is elaborately styled with a combination of tight braids across the top of her head and loose, flowing curls falling at the side. Subtle shading in black and red chalk creates soft transitions between light and shadow on her skin.
This study illustrates Leonardo’s investigation into 'moti mentali' (motions of the mind), where physical expression serves as a window into the soul's internal state. It reflects the artist’s natural-philosophical approach to anatomy and optics, treating the human face as a site where divine geometry and biological reality intersect.
Leonardo da Vinci, Treatise on Painting (Trattato della Pittura)
Leonardo outlines his theories on 'sfumato' and the necessity of depicting the soul's intentions through the 'accidents' of the face.
Marsilio Ficino
Ficino's Neoplatonic concepts regarding the 'splendor of the divine countenance' reflecting through human beauty provide the philosophical backdrop for Leonardo's idealized figures.
Object
Metropolitan Museum of Art, New York, NY
Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)
religious
Digital Source
The Metropolitan Museum of Art · CC0 1.0
2972 × 3822 px
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.