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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original file17. Khajuraho Devi Jagadambi mithuna apsara
The stone carving features four distinct figures integrated into an architectural exterior wall. In the center, a man and a woman stand close together in a tender embrace, their bodies slightly angled toward one another. To the left, an apsara stands holding a circular mirror or cosmetic vessel, while to the right, another apsara is shown with her hand raised to her face, adjusting her hair or applying pigment. The figures are rendered with soft, rounded contours, wearing intricate jewelry, beaded necklaces, and lower garments that cling to their bodies, characteristic of the Chandela style.
The carvings at the Devi Jagadambi Temple at Khajuraho represent the aesthetic and theological integration of erotic (mithuna) and celestial (apsara) imagery in Hindu temple architecture, often interpreted as expressions of cosmic union and the manifestation of divine bliss (ananda).
Kama Sutra
The mithuna motifs at Khajuraho are frequently analyzed in relation to the classical Indian discourse on aesthetics, pleasure, and human conduct found in the Kama Sutra.
Object
relief sculpture
sandstone
Chandela dynasty
Indian
sculpture
Digital Source
Wikimedia Commons · Public domain
682 × 1010 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 19, 2026. Getty identifiers are AI-inferred and may require verification.