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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis engraving features a central female figure representing Charity, shown in a tender domestic scene surrounded by three children. Two winged putti hover in the clouds above her, crowning her with a wreath of olive branches, while the composition is framed by stylized clouds and natural elements. The work highlights the Mannerist emphasis on elongated proportions and fluid, rhythmic drapery.
The personification of Charity (Caritas) is a central trope in Neoplatonic discussions of the soul's ascent and the hierarchy of love, linking the Christian theological virtue to the philosophical concept of divine grace or 'Amor'.
Nicolaius Geuent. I. Saenredam fculpt. In toto nihil est quicquam me gratius orbe, Que Stabili necto dulcissima pectora amore.
Translation
Nicolaius Geuent [published/designed]. I. Saenredam sculpted. In the whole world there is nothing more pleasing than me, Who binds the sweetest hearts with stable love.
Marsilio Ficino
Ficino's extensive commentary on the nature of 'Caritas' as the binding force of the cosmos informs the Renaissance allegorical tradition of which this print is a representative example.
Object
Engraving on ivory laid paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 15, 2026. Getty identifiers are AI-inferred and may require verification.