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Original fileA central woman sits amidst clouds, nursing an infant while two other young children cling to her sides. Above her, two winged cherubs hover in the air, holding branches of olive to form a wreath over her head. The figures are rendered with the characteristic muscularity and swirling drapery of the Haarlem Mannerist style.
As the greatest of the three theological virtues, Charity represents the manifestation of divine love within the human sphere. In the Neoplatonic and Christian Hermetic traditions, this 'Caritas' was viewed as the essential bond that maintains the order of the cosmos and facilitates the soul's ascent to the divine.
Marsilio Ficino
Ficino's Neoplatonic philosophy interprets divine love (Amor/Caritas) as the central cosmic force that attracts the soul back toward the One.
Object
Rijksmuseum, Amsterdam
height 306 mm x width 207 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.